Yomar’s work is defined within spatial limits, but within these borders, his gestures, his movements — sometimes thoughtful, sometimes mimetic — are characterized by a flow, by a natural organic abstraction.

His work mirrors his personality: it is faithful to his way of thinking, it can be conceived as an apparent intricate language that makes itself understood through the strong beauty of the forms, through a Brazilian playfulness and an honest transparency that reveals our — his and ours — randomness.